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Polly Harrison - Artist
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POLLY HARRISON

GREEN ARTIST

 

Re-cycle -- Re-Use -- Re-Create -- Respect for the Earth

 

Born in 1946 in Atlanta, Georgia, Polly Harrison dedicated over thirty years to

creating art from recycled materials.  Throughout her lifetime, she continued to

investigate techniques that transformed society and industrial discards

in ways that gave the material the respect it deserved.

 

Her intention was always to bring attention to environmental and

conservation concerns for an Earth that suffers from dwindling natural resources,

industrial abuse, agricultural misuse, and a lack of human understanding.

 

 

   

 

She shared her talent for creating with

recycled materials with literally thousands of

elementary, and high school students, educators,

college and community groups through

Georgia Council for the Arts, and South Carolina

Arts Commission, Artists in Education Programs.

She lectured and taught in Visiting Artist Programs

with Partners of The Americas, Recife, Brazil,

US State Department; The City of Atlanta Bureau of

Cultural Affairs, Chastain Arts Center; Atlanta

Boys and Girls Clubs, Youth Art Connection;

The Fibre Arts Design Studio, Ojai, California,

and other museums, galleries and art centers

across the United States.

 

 

 

 

 

 

 

 

 

Her artwork has been exhibited throughout

the United States, traveled to eight countries

in Africa through Whatcom Museum,

Seattle, WA, "Trashformations".

Her exhibits have been at various museums and university galleries, and the Federal University

of Brazil included television and news publications

about her work.  She was featured in the

Nikkei News, Japan, for her constructions of

oversized movable "Temple Blocks" made from

Japanese Newspaper.

 

 

 

 

 

 

  

 

 

 

  

 

Eager to go to the original source of traditional technique, she traveled to Guatemala in the

late 1970's and was fortunate enough to

study with a Mayan Weaver in San Antonio

Agua Caliente, where she learned

back-strap weaving techniques, Mayan

symbolism in fiber design, and natural dyeing techniques with cochineal beetles, purple

fresh water snails, avocado, coffee,

and other plant materials. 

 

 

 

 

  

 

She made multiple trips to the Yucatan of Mexico

until a Mayan hammock-making family allowed

her into their home to learn  the ancient art.

She returned to the States

to build her own loom and make hammocks

from recycled shoestring material,

parachute nylon cord and cotton string

that she rescued from an Atlanta roofing

mop factory.

 

From the Mayan people, she was given

an understanding of the Pantheon of Symbolism

used in design and daily life, which relates to

the Energies of Creation and the struggle for Life

on this Earth.  She found a common thread

that related many of the same symbols

to Cherokee, as well as other Native American

and Amazon art that she had studied

and collected through the years.

 

 

 

 

 

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